While every genre offers its own inherent challenges, especially when reworked for web publication, mystery stories offer concerns unlike those of any other genre. All stories raise the tension about what’s going to happen next, but mysteries are unique in being primarily concerned with unraveling events that have already happened. (This is the primary factor that distinguishes mysteries from other types of crime fiction, where the killer is already known, and the goal is simply to catch him or her.) This unusual structure leads to a number of complications in dealing with serialization, improvisation, and other commonplace facets of web publication.

Tales of the Dada Detective have been delighting readers for some time, with a talkative mime, a mad scientist paranoid about Eli Whitney, and a main character who looks like the Man with the Yellow Hat gone noir. David Milloway, Matt Wood, and Stephanie Freese, the creators of this rather unique strip, gave us the following interview.

The last couple of months have seen a fair amount of fiddling with revenue models from businesses that make their money from webcomics, but not individual webcomics per se. What I'm thinking about here are what one could refer to as the publishers of webcomics. The launch of Joey Manley's Webcomics Nation back in August and Keenspot's announcements at Comic-Con are the ones that spring to mind.

But it is not only the big dogs of webcomic "companies" that are re-examining their businesses. Clickwheel has been covered previously as a promising idea. Combining the photoIpods ability to show images and RSS 2.0 to easily syndicate content. As I remember it, the original business model was to charge for the Clickwheel application. The user could then subscribe to the different comics Clickwheel provided. The comics were created by various artist paid for their work.